Istituto Marangoni During Miami Art Week

About
ALDO PRIMOLI

A journalist and writer, Aldo Primoli is a columnist for Linkiuesta and director of the Italian lifestyle website SudStyle.it. Born in Milan, Primoli lives in Catania, Milan, New York, and Washington and is the Senior Curator of San Sebastiano Contemporary Art Gallery in Palazzolo Acreide. Primoli founded the non-profit organization Mediterraneo Sicilia Europa in Catania, which helps fight poverty. In 2021, he founded La Cernobbina Art Studio.

About
GIAMPIERO BODI NO

GIAMPIERO BODI NO was born in Turin, where he studied design and architecture. At the end of the 1970s, while still a yong student, he began working with Giorgetto Giugiaro, where he learned the importance of designing three-dimensional and aerodynamic volumes. In 1981, he moved to Rome, where he worked closely with Gianni Bulgari and started to design jewelry. When he met Franco Cologni at the top of Cartier and Richemont, he moved in 1989 to Milan, where he still lives today. He collaborates with the most important watch, jewelry, and accessories brands there. Through his studio “Style Life,” Bodine always remains discreet, methodical, and behind the scenes, even when he signs pieces that quickly become icons. In 2002, he became the artistic director of the Richemont Group, dedicating himself exclusively to the Maisons that are part of it, revisiting their stylistic heritage and revitalizing their DNA. In 2003, he became a professor and supervisor of the Creative Academy, Richemont’s design and applied arts school. Also, an artist, Giampiero Bodine, began his pictorial journey in 1997 with the collective exhibition “La ragione trasparente” at the Galleria Fabbrica Eos in Milan.

After his last solo exhibition “Cabinet Prive” in 2014, also at Fabbrica Eos, Bodine developed his first site-specific project in 2015, conceived for the historic Casa Museo Bagatti Valsecchi in Milan and based on the genius loci and collections. The result was the exhibition “Imago Non-Fugit,” curated by Francesco Gattuso (Fondation Beyeler), with an installation where Bodino’s works are camouflaged with those of the Museum’s permanent collection in an unusual and mysterious path through the rooms. In September 2016, Bodi no, in conjunction with the presentation of his jewels at the Musee Bourdelle in Paris, exhibited 1 O new works made for the museum, in tune with the works of the sculptor Antoine Bourdelle, whose modus operandi Bodine revived with the languages most congenial to him (photography and painting on canvas), to lead to contemporary artistic languages that remain as relevant as a sculpture from the 1900s.

About
DAVIDE BRAMANTE

DAVIDE BRAMANTE was born in Syracuse, NY. At the end of 1999, he returned to live in Syracuse after 13 years spent in Turin, Rome, Bologna, Milan, and New York. Bramante studied at the State Institute of Art in Siracusa; “Albertina” Academy of Fine Arts in Turin, graduating cum laude with a degree in Set Design in 1995; and “Fidia” Academy of Fine Arts of Cosenza, obtaining a degree with honors in Set Design in 2006. Bramante’s Scholarships/Masters include the 1998 Franklin Furnace Foundation, New York (USA) project: “The future of the present” and the 1999 Ministry of Foreign Affairs project, “Movin’ up,” held in New York at the Franklin Furnace Foundation.

About
MANUEL FELISI

MANUEL FELISI was born in 1976 in Milan. He attended the Liceo Artistico art school and the Academy of Fine Arts of Brera. His artistic production moves between different areas, including painting, photography, and collage, to create installations that translate and narrate the time. The leitmotiv that runs through his production is the topic of time — of being present in the here and now, as well as how time, as it passes, changes things, preserves them, and makes us forget. He uses photography to express a time that immobilizes and measures places, objects, people, and feelings; the instant of the photographic shot is no longer a mere mechanical operation but becomes the symbol that binds the different types of time described in the work. His works are made up of layers of other materials that always follow the same scientific order, like a ritual that — from painting to printing — is never confused with the mechanics and repetitiveness, as it is always the result of the involvement and the feeling that guide his artistic work.

About
BEATRICE GALLORI

BEATRICE GALLORI was born in Montevarchi in 1978. She graduated in 1996 from the Liceo Classico Cicognini in Prato. In 2001, she realized her passion for fashion and design by attending the Polimoda Institute in Florence, where she specialized in Fashion Design and Knitwear. The study of fashion also gave rise to the desire to experiment with painting: Gallori’s first creations were characterized by her innate ability to use the material, giving the canvas thickness and life through instinct and emotional jets using various recycled materials. In 2010, she created handmade knitwear sketches with pictorial interventions for the brand Bettaknit, producing a collection. After these experiences came the desire to conceptualize her work, so she began to study the movement and recreate it on the canvas — for the viewer tries to lock “that movement” made by nature unique and unrepeatable but stopped before the fall by the artist herself. The first sculptures facing the third dimension are born – actual flows of paint trapped and stopped in a temporal dimension, crystallized instantly after the fall but before landing.

About
FABIO GIAMPIETRO

FABIO GIAMPIETRO was born in 1974 in Milan, where he still lives and works. He graduated 1998 from the University Institute of Modern Languages IULM in Milan. A talented, self-taught painter with a unique technique of painting by subtracting the oil color from the canvas, Giampietro expresses a strong and intense figurative painting. In his most recent research, he combined painting with his passion for gaming, computer science, and new technologies to create in 2015, together with expert VR programmer Alessio de Vecchi, the multimedia project “Hyperplanes of Simultaneity”, which won the Gold Award at The Lumen Prize 2015 as the best digital artwork in the world. It is the first one of his projects to combine painting and new technologies. HPS allows users, through a VR visor, to enter inside Giampietro’s paintings. He has numerous exhibitions in Italy and abroad, in Milan – including the public exhibition at the Museum of Palazzo Reale for the presentation of HPS, Bologna, Venice, Shanghai, Miami, Los Angeles, San Francisco, Berlin and Toronto. In addition to being one of the most promising young Italian artists, he was the first in Italy to discover and interact with the world of CryptoArt and NFT.

About
DARIO GOLDANIGA

DARIO GOLDANIGA was born in Milan in 1960, where he still lives and works, alternating sculpture production with teaching plastic disciplines at the Fondazione Sacra Cuore Art School. He graduated from the New Academy of Fine Arts NABA. He was taught by teachers Kengiro Azuma, Carlo Mo, and Gianni Colombo, with whom he worked as an assistant. He made his debut in 2005 with the exhibition “Di forma e di luce” (“Of Shape and Light”) at Galleria Fabbrica Eos in Milan, with a series of bronze sculptures in lost wax – – having the common theme of the balance of figures, geometry, and natural forms. Since 2008, he has dedicated himself to a series of works using scraps of bronze castings, resulting in unpredictable and random shapes that create, when assembled, the recent series entitled “Mappe terrestri” (Earth Maps). In 2014, he created a series of engravings depicting imaginary “Mappe stellari” (Star Maps) on flat and spherical blackboard. These large portions of blackboard and the scraps of bronze casting used in previous works are recycled materials that the artist rescues from destruction, reintegrating them into the circuit of his own artistic production. Since 2016, he has been working on a series of works on canvas using a bronze welder: stencils of negatives where the positive image is formed by the process of combustion that releases a pattern of marks and burns on the canvas, created by the incandescent particles that detach from the metal.

About
SONJA QUARONE

SONJA QUARONE was born in Vigevano (Pavia) in 1972, where she still lives and works. She attended the Art School of Novara and the Academy of Fine Arts of Brera, where teachers such as the conceptual artist Vincenzo Ferrari and the visual poet Ugo Carrega greatly influenced her artistic and cultural background. She is an expert in the use of resin, and she knows the characteristics, the peculiarities, and the potential for its application in depth. For many years, it has been her material of choice for creating works that often dialogue with the millenary history of Western art. A renowned professional in applying and using this contemporary material, Quarone began her entrepreneurial journey dealing with resin finishes for architecture and large construction sites. She regularly collaborates with prestigious companies in design and architecture, experiences that allow her to experiment with materials and applications continuously. She has recently conducted several workshops on techniques and application of new materials in art and architecture at the Academy of Brera and the Milan Polytechnic.

About
TROILO

TROILO was born in Taranto in 1972, living and working between Milan and Palermo. He studied Architecture and Modern Literature at the University of Florence and then at the European Institute of Design in Rome. From 1997 to 2009, he worked first as Art Director and then as Creative Director in several international advertising agencies (Saatchi&Saatchi, Arnold Worldwide). He has won all the most prestigious awards in the industry, and, in 2007, he was awarded by ADCI as Best Italian Creative with Alessandro Sabini. In 2009, he left advertising to follow his passion for painting. A self-taught artist, he started drawing with a pencil when he was four and has never stopped. In April 2005, in parallel with his career in advertising, he began his career as a professional artist, and due to a distraction (he forgot to buy brushes), he started to paint with his fingers; the influential figures born from his finger painting can be considered unique in the world. Troilo dips his fingers directly into cans of black and ivory acrylic and spreads the color, abandoning the “tools of art.” In 2011, he was selected for the 54th Venice Art Biennale. His works have been exhibited in Milan, Rome, Florence, Madrid, Paris, Singapore, San Francisco, New York, Istanbul, Tel Aviv and Los Angeles.

About
TOMER PERETZ

TOMER PERETZ was born in Israel in 1982. Peretz is a Los Angeles-based artist who creates paintings and mixed media works. He is a self-taught artist and often makes portraits of family, friends, and celebrities in a highly detailed and surrealistic manner. However, his goal is to capture the essence of his subjects regardless of their social status. Born and raised in Jerusalem, he moved to America in his early twenties after serving four and a half years in the Israeli army. Peretz uses oil, acrylic, graphite, and photography to convey his perspective and evoke emotions from viewers. He is represented internationally by the Fabbrica Eos Gallery in Milan, Italy, and the Peimbert Gallery in Acapulco, Mexico. Peretz received the Arthur Szyk Prize for Disruptive Thinking, and his work has been featured at Art Basel Miami and the Los Angeles Sho

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